About the play: Intruders is an adaptation of a new comedy-drama by Benjamin Kunkel. In an apocalyptic world on the verge of ecological collapse, a playwright’s work is disrupted by a chronic infestation of flies, whose frantic, nihilistic buzzing sounds an existential alarm in him and his wife and threatens to destroy their domestic bliss. Through ironic self-reference, the play also interrogates the paradoxical nature of the theater and its relationship to humanity. Performed in English with Spanish subtitles, Intruders is the only contemporary English-language play to premiere in its original language in the Buenos Aires independent theater circuit. It was adapted for the Argentine stage by an international group of artists who collectively translated the script into Spanish, making it accessible to both English and Spanish speaking audiences.

Sobre la obra:
En un mundo apocalíptico al borde del colapso ecológico, el trabajo de un dramaturgo se ve interrumpido por una plaga crónica de moscas cuyo zumbido frenético y nihilista resuena como una alarma existencial en él y su mujer, y amenaza con destruir la calma cotidiana. A través de la autorreferencia irónica, la obra también interroga acerca de la naturaleza paradójica del teatro y su relación con la humanidad. Presentada en inglés con subtítulos en español, Intruders es la única obra contemporánea en inglés a estrenarse en su idioma original en el circuito de teatro independiente de Buenos Aires. Fue adaptada para la escena argentina por un grupo multicultural de artistas que tradujeron en forma colectiva el texto y, de esta manera, lo hicieron accesible a los públicos de habla inglesa y española.

About the playwright: Benjamin Kunkel is a founding editor of the literary magazine n+1 and a regular contributor to The New York Times, The New Yorker, and The London Review of Books. He is also the author of the award-winning novel Indecision, which was named a notable book of the year by The New York Times.

Sobre el autor: Benjamin Kunkel es editor fundador de la revista literaria n+1 y escribe regularmente para The New York Times, The New Yorker, y The London Review of Books. Además es autor de la premiada novela Indecision, catalogada como libro notable del año por The New York Times.

Sobre la directora
: Lian Walden es egresada de la Universidad de Yale donde recibió un título doble en dirección teatral y ciencias políticas. Como artista se encuentra abocada al trabajo de construir una intersección entre ambas disciplinas. Ha recibido becas en arte para realizar proyectos en Israel, España, Ghana, Estados Unidos y Argentina.


Tickets / Reservas: intruderstheplay@gmail.com
15-5403-8120 / 6327-0303

Performed in English with Spanish subtitles by an international cast / Presentada en inglés con subtítulos en español por un elenco multicultural

Friday, November 4, 2011

Thoughts of our actor David Maler also known as Tom :)


So we are half way into our run and I’ve tried to avoid writing this article for almost two months.  Mainly because I know that nothing that I could possibly write would do this process any justice.  What a ride. A true journey in self-discovery, emotional depths/limits, every process, even the ones outside of the play but still surround it, the beautiful bonds created by a group of strangers.  Every one involved has helped me grow in some way. I look back at the person that (by pure chance) found his way to Lian’s casting, and the person that walks on stage every Saturday and I barely recognize him. My father would always say, there is no better school than life. Every one that surrounds me is a teacher and I’ve had the ultimate pleasure of soaking up the experience through every pore. Breaking Brando’s law (you can’t be a cliché actor if Brando isn’t your favorite), he always said actors should never talk about their private lives, and I agree, something magical about mystery but until I’m Brando I’ll continue rambling. Since I was little I would hear amazing stories from my father, of amazing groups of people that changed the arts, amazing events taking place. Maybe a dinner where two people were introduced and it turns out they later left a mark in history. So I lived with the idea in my head that I had to be careful and pick my activities wisely because people might talk about it in generations to come, or pick my dinners carefully because that’s where I might meet the Yoko to my John. For the first time in my life, what this play and process has taught me, is that, although it may sound obvious, these people never knew what they were doing, they just played. Dadaism, they played. Surrealism, played.  Nouvelle Vague, Fluxus, DiTella…they all played.  And that is what I’ve learned to do… play.  Playing doesn’t mean not taking it seriously, on the contrary, you see a child play and they are completely immersed and committed, but it never the less is a game, and although they might feel the whole spectrum of emotions, it just might be one of the most enjoyable things in life. I’ve head the pleasure of playing with extremely talented people in this production. I think “rich” is also a perfect word to describe this process. Rich to the mind, to the senses, I truly think that when one creates a character, you get to see things in a different light, the way that this person, that later becomes you, sees it. So we leave this thing with an insight we never had, almost like a layer of residue that the character has left us with, as a gift. I’ve also had the honour, in every sense of this extremely overrated word, to work directly with an amazing playwright and director. We all built something, an amazing structure, built solely on words, actions, lights.  Something ephimerous, when the play finishes, our characters die, the audience fades, and there is no evidence of what we built, but even so, I walk out feeling more alive and full than ever before.  Like I said, nothing that I write can do this process justice. What all of this means to me can never be measured. So I can only say thank you, every body involved in this, amazing crew, amazing cast members, director and playwright, thank you so much for letting me play with you!

- David

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