About the play: Intruders is an adaptation of a new comedy-drama by Benjamin Kunkel. In an apocalyptic world on the verge of ecological collapse, a playwright’s work is disrupted by a chronic infestation of flies, whose frantic, nihilistic buzzing sounds an existential alarm in him and his wife and threatens to destroy their domestic bliss. Through ironic self-reference, the play also interrogates the paradoxical nature of the theater and its relationship to humanity. Performed in English with Spanish subtitles, Intruders is the only contemporary English-language play to premiere in its original language in the Buenos Aires independent theater circuit. It was adapted for the Argentine stage by an international group of artists who collectively translated the script into Spanish, making it accessible to both English and Spanish speaking audiences.

Sobre la obra:
En un mundo apocalíptico al borde del colapso ecológico, el trabajo de un dramaturgo se ve interrumpido por una plaga crónica de moscas cuyo zumbido frenético y nihilista resuena como una alarma existencial en él y su mujer, y amenaza con destruir la calma cotidiana. A través de la autorreferencia irónica, la obra también interroga acerca de la naturaleza paradójica del teatro y su relación con la humanidad. Presentada en inglés con subtítulos en español, Intruders es la única obra contemporánea en inglés a estrenarse en su idioma original en el circuito de teatro independiente de Buenos Aires. Fue adaptada para la escena argentina por un grupo multicultural de artistas que tradujeron en forma colectiva el texto y, de esta manera, lo hicieron accesible a los públicos de habla inglesa y española.

About the playwright: Benjamin Kunkel is a founding editor of the literary magazine n+1 and a regular contributor to The New York Times, The New Yorker, and The London Review of Books. He is also the author of the award-winning novel Indecision, which was named a notable book of the year by The New York Times.

Sobre el autor: Benjamin Kunkel es editor fundador de la revista literaria n+1 y escribe regularmente para The New York Times, The New Yorker, y The London Review of Books. Además es autor de la premiada novela Indecision, catalogada como libro notable del año por The New York Times.

Sobre la directora
: Lian Walden es egresada de la Universidad de Yale donde recibió un título doble en dirección teatral y ciencias políticas. Como artista se encuentra abocada al trabajo de construir una intersección entre ambas disciplinas. Ha recibido becas en arte para realizar proyectos en Israel, España, Ghana, Estados Unidos y Argentina.


Tickets / Reservas: intruderstheplay@gmail.com
15-5403-8120 / 6327-0303

Performed in English with Spanish subtitles by an international cast / Presentada en inglés con subtítulos en español por un elenco multicultural

Friday, October 28, 2011

Our Miss Media and costume designer Sophie Lloyd tells about her experiences with Intruders


Costume styling isn’t my day job (I work in fashion journalism, among other things) but I love dressing people up, and there’s something uniquely exciting about being involved in a theater production and seeing it come together. I’ve done the costumes for a number of different theater productions over the years but this is my first time to do it in Buenos Aires, and hopefully not the last.

In terms of the costumes for Intruders, the direction was straightforward. The actors all had to be in their underwear - symbolic of the sense of unease and vulnerability that the characters experience in the play. The men were relatively easy to sort out with simple pairs of boxers (and a pair of hand-sewn sock suspenders) but if you know anything about the shopping scene in Buenos Aires, you’ll know that shopping for simple, demure female underwear is no easy feat, particularly on a tight budget.

I spent many hours trawling the cheap underwear stalls in Once and the lingerie shops down Santa Fe to find the best underwear sets for the three different female characters. If it wasn’t a problem with the style or the color, the shops didn’t have the size we wanted. But, as always, things came together in the end.

The most challenging part of the costume was Sasha’s six-month pregnant belly. Making a realistic looking pregnant belly that’s comfortable to wear is more difficult than it sounds particularly when worn under a thin silky slip that leaves nothing to the imagination. I did a lot of research online, watched numerous YouTube videos and we played around a lot with cotton stuffing, plastic wrap and pairs of sewn up old tights.  Finally, in a stroke of genius, I picked apart a friend’s old travel cushion (the kind you wear around your neck on airplanes) and used the stuffing (lots of tiny white balls) to stuff the top part of a pair of tights (with the legs cut off and sewn up) which made for quite a malleable, texture-less fake belly.  (note: I don’t recommend picking apart a travel cushion unless you really have to. Those little white balls get EVERYWHERE and you’ll spend days sweeping them up).

The next task was to make sure the belly was molded to Sasha’s body to give a natural looking silhouette. In the end, we decided to attach the belly to her with plastic wrap around her waist (Marina Artigas, thanks for the tip) combined with a pair of those ugly high-waisted granny pants that keep your bum and tum tucked in and helped to disguise the texture of the plastic wrap beneath the silk slip. And  voilà! If you look carefully, you’ll even spot a fake belly button too.

Costumes aside, it’s been a great experience to work with a very talented cast and crew and I admire the way they’ve turned a complex script into a very engaging, entertaining performance.

Sophie

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